Operation: The Publisher's Gambit
Arm yourself with a deep understanding of publishing structure and how to maintain control.
Course Modules
Terminal Learning Objective
At the end of this module, the student WILL BE ABLE TO analyze the dual copyright system in music and differentiate the roles of key entities in the publishing ecosystem.
Enabling Objectives
- Define music publishing and its importance for an artist's long-term career.
- Distinguish between the composition copyright (©) and the sound recording copyright (℗).
- Identify the primary functions of Performing Rights Organizations (PROs), publishers, and administrators.
- What is Music Publishing and Why Should You Care?
A deep dive into the world of music publishing. Learn the difference between a master recording and a composition, and why owning your publishing is non-negotiable for long-term success.
- The Two Halves of a Song: Master vs. Composition
Every song has two copyrights. This lesson breaks down the rights associated with the sound recording (the master) and the underlying song (the composition). Understanding this is the first step to getting paid correctly.
- Key Players: PROs, Publishers, and Administrators
Meet the organizations and roles that will become part of your world. Learn what Performing Rights Organizations (PROs) like ASCAP and BMI do, and understand the difference between a full publisher and an administrator.
Required Reading
Key Terminology
Composition (©)
The underlying musical work (melody, lyrics, harmony), separate from any specific recording of it.
Sound Recording (℗)
A specific fixation of sounds in a medium, often called the 'master'.
PRO (Performing Rights Organization)
An organization (e.g., ASCAP, BMI, SESAC) that collects and distributes performance royalties on behalf of songwriters and publishers.
Mechanical Royalty
Royalties paid to a songwriter for the reproduction of their composition (e.g., on a CD, vinyl, or digital stream).